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Jumat, 10 Juni 2011
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Ebook Download The Art of French Horn Playing (The Art of Series)
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The Art of French Horn Playing (The Art of Series)
Ebook Download The Art of French Horn Playing (The Art of Series)
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Product details
Series: The Art of Series
Paperback: 96 pages
Publisher: Alfred Music; 00-0021 edition (May 1, 1995)
Language: English
ISBN-10: 0874870216
ISBN-13: 978-0874870213
Product Dimensions:
8.9 x 0.3 x 11.8 inches
Shipping Weight: 9.9 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
57 customer reviews
Amazon Best Sellers Rank:
#98,557 in Books (See Top 100 in Books)
My college horn teacher subscribed very much to the Farkas methods provided here, so I had a good foundation as a horn player. But I wish he had made this required reading so I would have had this years ago. It is a goldmine, and Farkas is very reasonable and logical in his approach. Some of what you will read by horn enthusiasts will lead you on a journey of trying new mouthpieces and experimenting with new horns and in several configurations, if you are a serious player. Farkas has it right, though. None one instrument or one mouthpiece will do it all perfectly. It, therefore, only makes sense to choose a good compromise (whether in regards to a horn, mouthpiece, or tuning position) and make the player do the rest with his/her ear and embouchure. If you are looking for common sense, and clear explanations, this book is a must (acknowledging that it could use an update...as for example, neoprene horn stops have made cork from a bottle of champagne an unnecessary recommendation) have.
First off the book was very dark in print and page background quality, almost as if it was photocopied from another source. The book read well, if you were a student, sitting right in front of the instructor. As a new student learning the French horn for the first time, the book came off sarcastic in it's wording and grammar. Not to be to totally negative, the book is very informative and in great detail...go ahead and buy it.
An old book, but Philip Farkas describes everything so methodically that many aspects of horn playing just make more sense. It also has some very simple but effective exercises that are good to come back to at any level.
I live by this. I call it the horn bible. Some techniques are outdated, but overall this provides so many exercises to improve playing.
Within 10 minutes my son learned things about technique and aperture that he had been wondering about. He is a state-level high school horn player at 14. But this book has shown him many things to improve his technique. Highly recommend!
This book is just fantastic. In the first half an hour of reading, Farkas explains an incredible amount of information that is all completely relevant to the playing of the French Horn. He offers his own suggestions on technique and plenty of pointers, especially offering new fingerings and explaining why they exist. He explains the history of the horn and explains why players have to do what they do (ex. Hand placement, fingerings, etc). Really interesting and helpful. The included warm ups have become my daily routine and are extremely helpful. Excellent book, the only thing I disliked is that this text is quite outdated in its horn maintenance instructions.
The horn playing Bible. It covers nearly every aspect of horn playing and is as relevant today as when it was written.
This has been one of my favorite books of instruction for over forty years. I took a copy to Seoul Korea when I was stationed there in 1971 with the Eighth Army Band, but when I played a few concerts with the Seoul Sinfonietta I gave that copy to the first horn player in that chamber group. My little contribution to international good will. So I was without that book for many years, until my interest in playing the horn resurfaced, and then I was pleased to find it published in a smaller format, suitable for carrying around with other music. Mr. Farkas was a very good man, and a meticulous player and teacher. He could be accused of occasionally "overthinking" (such as where he gets a little obsessive about too much pressure and recommends trying to play the horn without using your hands as it sits on a slippery surface), but the foundations of his instruction are solid. As my ability increases, I am still now finding little jewels in his book that, with a more mature perspective and increased understanding, help me to develop even further.
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